Kaspars Putniņš is permanent conductor of the Latvian Radio Choir since 1994. From the season 2014/15 he was appointed as Artistic Director and Chief Conductor of Estonian Philharmonic Chamber Choir. From 2013-2017 he was Artistic Director of the Tenso Europe Chamber Choir.
The Latvian conductor regularly appears with the RIAS Kammerchor, NDR Radio Choir Hamburg, SWR Vokalensemble Stuttgart, Swedish Radio Choir, Danish National Vocal Ensemble and Choir and Netherlands Radio Choir.Upcoming engagements include return visits to the Swedish Radio Choir, NDR Radio Choir Hamburg and concerts with the EPCC in Brussels, London, Dublin, Amsterdam, Paris and Dortmund.
Whilst Kaspars Putniņš' work encompasses a wide range of choral repertoire from the polyphony of the Renaissance period through to romantic music, his foremost goal has always been to promote new outstanding choral music. He has forged close relationships with many Baltic and Nordic composers including, Maija Einfelde, Mārtiņš Viļums, Gundega Šmite, Toivo Tulev, Lasse Thoresen, Gavin Bryars and Andris Dzenitis and has set standards with his interpretations. Putniņš has initiated several drama projects in collaboration with visual and theatre artists.
His discography includes recordings of Peteris Vasks' Mate Saule for BIS Records, Jonathan Harvey's The Angels for Hyperion, works by Bryars, Vasks, Esenvalds, Maskats and Silvestrov, all with the Latvian Radio Choir as well as the CD New Latvian Harvest with contemporary Latvian music with the Latvian Radio Chamber Singers. He has also recorded Rachmaninov's The Divine Liturgy of St. John Chrysostom with the Flemish Radio Choir for Glossa. BIS Records released Rachmaninov Vespers with the Netherlands Chamber Choir.
In recent years, Putniņš has worked extensively with young singers and conductors in various projects and masterclasses, such as Bachakademie Stuttgart, Kurt Thomas course, Vocaal Talent and Meesters & Gezellen.
Kaspars Putniņš is recipient of the Latvian Grand Prix of Music and the Latvian Council of Ministers Award for Achievements in Culture and Science.
Season 2017/18Read more
Kaspars Putnins and the Estonian Philharmonic Chamber Choir are to perform A cappella concerts in Brussels on 28 January, London on 30 January, Dublin on 31 January, Amsterdam on 5/6 February featuring pieces by Ülo Krigul, Arvo Pärt, Veljo Tormis, Cyrillus Kreek, Galina Grigorjeva, Liisa Hirsch, Jonathan Harvey among others.
Kaspars Putnins returns to conduct the Swedish Radio Choir for an A cappella concert in Stockholm on 29 April with a programme featuring Schumann, Toshio Hosokawa and Jonathan Harvey.
Kaspars Putnins presents a programme with the Crème de la crème of the French choral music of the 19 and 20th century with the Estonian Philharmonic Chamber Choir
in Tallinn on 20 February featuring works by Olivier Messiaen, Maurice Ravel, Claude Debussy, Jean-Yves Lesur and Gabriel Fauré.Read more
Kaspars Putniņš conducts the Danish National Vocal Ensemble in Copenhagen on 30 January and 1 February in two concerts. The programme contrasts Brahms’ Kanon op. 113, Schumann’s Die Lotusblume and Die Capelle with works by Guo Wenjing, Niels Gade, Toru Takemitsu and Toshio Hosokawa.
The Estonian Philharmonic Chamber Choir and its new chief conductor Kaspars Putniņš are on tour in China from 25 October to 1 November. The programme of the
four concerts in Peking, Shanghai, Xuzhou and Jinan includes works by Arvo Pärt, Cyrillus Kreek, Veljo Tormis and Claude Debussy.Read more
Latvian conductor Kaspars Putniņš and the Netherlands Radio Choir have recorded Rachmaninov’s "All-Night Vigil" op. 37 for BIS Records: "A wonderful legato is unfold,
elegant, ruled lines, added by a closed vertical quality: it is impressive how compact and safe chordal effects are set…The recording is very compelling, especially in the elegant ability to fine difference (www.klassik.com, Matthias Lange, 31.05.2014).Read more
Under Kaspars Putnins' direction, the Estonian Philharmonic Chamber Choir sang with a shimmering, warm blend of voices and easy mastery (...) and present and illuminated in the range of piano to mezzoforte.
New York Classical Review, George Grella, 02.02.2017
Kaspars Putnins’ multi-hued Vespers interpretation, backed to the hilt by the tonal heft of the Netherlands Radop Choir’s 68 professional singers, evokes the intensity of Russian Orthodox worship. This outstanding release, recommended without conditions, is crowned with Rachmaninov’s little-known early sacred concerto, an impassioned hymn to Mary, Mother of God, The Theotokos.
The ChorWerk Ruhr under the direction of the Latvian conductor Kaspars Putniņš presented works from romantic folk songs by Johannes Brahms (op.62) up to contemporary works including bizarre sounds and demanding rhythms. […] Highlight of the evening was by surprise the contemporary piece “Traumtänze” by Hans Schanderl. Opposing rhythms and a great amount of vocal tones required everything of the 28 singers – provoking enthusiasm within the audience.
Westdeutsche Allgemeine Zeitung, Anna Ernst, 30.07.2013
ChorWerk Ruhr with their young and sensitiv voices carried the audience away to the land of yearning, the presentiments of death, the coolness of a night in the wood... Kaspars Putniņš was working for the first time with the ChorWerk Ruhr and one was assured of his qualities.
Neue Ruhr/Neue Rhein Zeitung Essen, D. Schenk-Güllich, 31.07.2013
The great Latvian conductor Kaspars Putniņš made the multilayed colours of this 15-part chorus cycle shine without any Russian pathos. High, low, deep, mighty, delicate - all was set together astonishingly - magical for instance the high male voices accompanying with much caution the low, endlessly streaming and intimate alto solo.
Berliner Zeitung, Peter Uehling, 19.02.2013
Kaspars Putniņš conducted the MDR Radio Choir's late night concert with a sense for space, for sound and for the abilities of this unique choir especially with this unique programme. Everybody who had the chance to listen to this concert had to rejoice because the highest form of musical sensuality was achieved.
Leipziger Volkszeitung, 01/2012