Since 2011 Florian Helgath has been Artistic Director of the ChorWerk Ruhr. Within the past years he presented choir music of various periods on the highest level both in A cappella and with orchestras. From 2017/18 he will be Artistic Director of the Zürcher Sing-Akademie.
Florian Helgath has held the position as conductor of the Danish National Choir from 2009 to 2015 and was Artistic Director of the Via Nova Chor Munich from 2008 to 2016 and has conducted numerous highly acclaimed first performances.
Florian Helgath is also a regular guest conductor of the SWR Vokalensemble, RIAS Kammerchor, MDR Leipzig Radio Choir, Choir of the Bavarian Radio, Choeur de Radio France among others and collaborates with the Munich Radio Orchestra, Bochum Symphony, Danish Chamber Orchestra, Münchner Symphoniker, Akademie für Alte Musik Berlin, Concerto Köln and Ensemble Resonanz. Concerts led him to major concert halls and festivals as the Berliner Festspiele, Audi Sommerkonzerte, Eclat Festival Stuttgart, Thüringer Bachwochen and particularly to the Ruhrtriennale with contemporary opera performances and numerous manifold projects.
Highlights of this season will be his debut with the Odense Symphony, Chorus of Warsaw National Philharmonic and his further collaboration with the Netherlands Radio Choir.
Florian Helgath’s discography includes the CD Sacred Songs with works by J.S. Bach, Reger and Knut Nystedt with the MDR Leipzig Radio Choir, which was awarded the ICMA Award 2017, works by Palestrina and Wagner also with the MDR Leipzig Radio Choir, Contemporary Choral Music with the Via Nova Chor as well as J.S. Mayr Missa in c – Stabat Mater with the Orpheus Vokalensemble and Concerto Köln among others. For the album Da Pacem with the RIAS Kammerchor and Capella de la Torre Florian Helgath receives the ECHO Klassik 2017.
He also has prepared choirs for conductors as Herbert Blomstedt, Kent Nagano, Rafael Frühbeck de Burgos and Christian Thielemann.
Florian Helgath’s initial experience started as a chorister in his native city with the Regensburger Domspatzen. He studied choral conducting at the Hochschule für Musik und Theater in Munich and graduated in 2008 with a Masters Degree. Among his most important teachers are Michael Gläser, Stefan Parkman, Dan-Olof Stenlund who influenced him largely in his career as conductor.
As a prizewinner and finalist of the Eric Ericson Award 2006 and Competition for Young Choral Conductors in Budapest 2007, Florian Helgath has already drawn the attention of the international choral music scene.
Season 2017/18Read more
Florian Helgath presents in Klassik-Pop-et cetera his music favourites in Deutschlandfunk on 9 December from 10:05-11:00.
Florian Helgath, RIAS Kammerchor and Capella de la Torre receive the ECHO Klassik 2017 for their album Da Pacem: Echo der Reformation in the category
Ensemble/Orchestra (Deutschlandradio Kultur/Deutsche Harmonia Mundi/Sony Music). The prize will be awarded in Hamburg on 29 October.Read more
Florian Helgath conducts the RIAS Kammerchor and Capella de la Torre with the programme Da Pacem in Rotterdam on 13 October, Amsterdam on 14 October and in Essen on 15 October.
Florian Helgath conducts the RIAS Kammerchor in Jüterbog on 15 July within the Brandenburgische Sommerkonzerte joined by Capella de La Torre. The programme includes works by Schütz, Gabrieli and Praetorius.
Florian Helgath conducts at Ruhrtriennale the project Memoria presenting compositions by Tomas Luis de Victoria, John Cage, Morton Feldman in three concerts with ChorWerk Ruhr and soloists in Essen from 25 - 27 August.
Florian Helgath conducts the Odense Symphony on 13 and 14 December with Händel's Messiah together with the Philharmonic Choir Odense and soloists.
The recording of Tigran Mansurian's Requiem of the Munich Chamber Orchestra and RIAS Chamber Choir for ECM Records with the preparation of the choir by Florian Helgath has been nominated for a Grammy in the category Best Choral Performance.
The CD recording "Sacred Songs" by Florian Helgath and the MDR Leipzig Radio Choir featuring motets by J.S. Bach and Max Reger as well as works by Knut Nystedt will be awarded the International Classical Music Award 2017 in the category "Choir Music".
Florian Helgath conducts the first performance of the music theatre production Earth Diver at Ruhrtriennale in Essen on 21 September featuring works by Heinrich
Schütz and Nikolaus Brass together with ChorWerk Ruhr, Phil Minton, B'Rock Continuo and Belgian author Paul Verrept under direction of Wouter Van Looy. Further dates: 22, 23, 24 September.Read more
Florian Helgath conducts ChorWerk Ruhr in a secular programme around The Chirping of the Nightingale with works by Josquin Desprez, Cipriano de Rore, Clement Janequin and Ugis Praulins on 18 June in Essen, 19 June in Kempen and 26 June in Hattingen.
Florian Helgath conducts the Choeur de Radio France in an A Capella programme in Paris on 17 February featuring the Requiem and Four Motets by Maurice Duruflé.
Florian Helgath's plan to prepare de Victoria's vocal polyphony for the search for the sound of New York's school is astounding.(…) Helgath works in the "Offertorium" at the polyphony of Tomas Luis de Victoria and lets the choir of six voices sound wonderfully changeable. In "Hosianna", quite audible and clear, the moving chant of ChorWerk Ruhr in the motet resumed with the moment of personal grief. In the venue of a factory a reverberation is felt, and in "Absolutio", the choir has a multi-voice ending, which allows the spectrum of the fading sound to swell to a volume which is unimagined. (...)
John Cage has named different tones for soprano, alto, tenor and bass without determining the duration in Four 2 (1990). In certain periods of time the singers have to sing as well as to end their sound chord differently. Helgath has placed couples of singers among the audience. Their entries trains the feeling for the spatial feeling of the illusion of the origin of the sound.(…)
In Morton Feldman's "Rothko Chapel" (1971), one experiences moments as if the sound is released into the world for the first time. (...)The choir holds a tone which is becoming more and more comprehensive, indeed appears absolute. There is a fine concentration, an expectation.
Westfälischer Anzeiger, Achim Lettmann, 27.08.2017
This requires such an excellent ensemble as the ChorWerk Ruhr, which has given us, under Florian Helgath's prudent management in this concert as part of the Ruhrtriennale, very unusual, exciting and beguiling listening experiences. This is in the machine hall of the coal mine Zollern in Dortmund, where the sound unfolds freely in the room, always remaining tangible despite the enormous dimensions of the building.(…) A fascinating evening.
Westdeutsche Zeitung, Martin Schrahn, 29.08.2017
Florian Helgath, ChorWerk Ruhr, the excellent soloist- and adequate nine-headed instrumental ensemble easily mastered the technical requirements. (…) Florian Helgath and the fabulous ChorWerk Ruhr achieved essential sound impacts, especially in the few sequences, where the music dissolved from prepunched patterns. (…) The premiere audience was overwhelmed by the wall of pictures and sounds, and reacted accordingly thrilled.
Westfälische Rundschau, Pedro Obiera, 24.04.2017
The 36 choristers left nothing to be desired with its powerful and crystalline sound: neither in the clear lines, nor in the differentiated choral expression or the dramatic emphasis “Steinigt ihn!”. Huge accolades in the Philharmonie.
With only 36 singers and 46 musicians, Helgath succeeded not only in a romantic, but also a dramatically gripping interpretation of the story of Paulus.(…) ChorWerk Ruhr convinced with a phased staggered sound: soft and homogenously in the choir "Siehe! Wir preisen selig", dancing and swinging and radiant in the fugue "Der Erdkreis ist nun des Herrn".
Ruhr Nachrichten, Klaus Stübler, 06.03.2017
The fact that the Christian confessions in the age of the Reformation animated outstanding musicians in an interchanging interlude to singular compositions, shows this CD with 16 works variedly and on a high level: as always the grandiose RIAS Chamber Choir impresses with light, warm sound, round tone and a clever text design. And Florian Helgath unites the choir and the Capella de la Torre to a fulminant response to these events from long ago. The connecting element in the division of the confessions touches these musical "echoes of the Reformation" to this day.
BR Klassik, Susanne Schmerda, 14.02.2017
Music is perfectly interpreted in tone, colour and direction of lines. The result are strikingly transparent, vibrant sound with a distinct feature, and gripping in the direction of lines.
Concerti, Dr. Eckhard Weber, 3/2017
The RIAS Kammerchor of Berlin under Florian Helgath has captivated the audience at Victoria Hall Geneva. The programme included Brahms and a contemporary piece of Nik Bärtsch of Zurich.(…) What we admire is the melding and accuracy of the voices. Conducted by the young conductor Florian Helgath, the choristers sing with a wonderful musicality. (…) Without being revolutionary AIM – Ich gehe emits a certain emotional magic thanks to first-class artists.
Le Temps, Julian Sykes, 24.10.2016
All motets of this CD sound true to the original style and well-balanced. You can almost hear how the tone interplays in every moment with the individual voices. The biggest of the German radio choirs (with 73 choristers) is surprisingly streamlined. Just as the tone is one of the strengh of the choir: clear, easy, overtone-rich. [...]
There is no need to mention that everything is just right here: the intonation, the phrasing, the breath, the diction, the homogeneity ... It is a very successful CD, a recommendation for all friends of choir music!
Kulturradio, Astrid Belschner, 27.09.2016
ChorWerk Ruhr sang under the direction of Florian Helgath very well and delicately, and disarmingly clear – while walking around in the hall.
Westfalenpost online, 22.09.2016
Especially for the young women and men of ChorWerk Ruhr the piece The Chirping of the Nightingale by Ugis Praulins was a challenge with chanting, noise and birdsong imitations (…) Florian Helgath kept totally relaxed all the reins. Due to his meticulous rehearsals he could rely blindly to his admirably secure singers (…). The vocalists convinced furthermore with a high-level interpretation and a stunning creation of sound of works by Clement Janequin and Josquin Desprez
Rheinische Post, Heide Oehmen, 21.06.2016
The top ensemble combines a special ardency with its already highly acclaimed artistic director Florian Helgath, who developed the voices to a maximum in Mendelssohn’s Psalms scorings. (…) Literally surrounded by four choral groups, the audience could dive into tone spheres with Hans Schanderl’s Gitanjali no. 100 which seemed to have fallen out of the world (...). After 90 minutes of high intensity this concert has truly deserved the title of “finest hour of choral singing”.
Rhein-Zeitung, Julia Hilgeroth-Buchner, 09.02.2015
With his excellent ensemble ChorWerk Ruhr and eight singers of each section, Florian Helgath has realised Mozart’s Requiem & Georg Friedrich Haas‘ Sieben Klangräume exquisitely. J.S. Bach’s motet Komm, Jesu, komm with an almost weightless choral sound has been interpreted extremely precise (…) Also Ligeti‘s Lux aeterna with its floating, complex areas of sound has been sung admirably clear. Helgath and ChorWerk Ruhr have captivated once again with its supernatural, beautiful pianissimo in Mozart’s Ave verum corpus and the strings of the Bochum Symphony accompanied delicately: Great highlight of an extraordinarily gripping concert.
Online Musik Magazin, Stefan Schmöe, 05.09.2015
An excellent vocal ensemble and a world class recorder player of world class were part of the musical part of the event series "Wege durch das Land". […] How professional and flexible the big choir acted under the direction of Florian Helgath became already obvious in the five romantic songs by Mendelssohn.
Neue Westfälische, 08.07.2014
Florian Helgath, the young chief conductor of ChorWerk Ruhr holds the strings of energy to conduct this special, impressive concert [...] Rarely one has seen such a clearly articulated, so musically phrased polyphony, rarely one witnessed singers that listen to each other that well [...] The incredibly serious nature Helgath is working with, reveals parts of the piece which are usually reserved to musicologists.
Rheinische Post, Armin Kaumanns, 05.11.2013
Missa in c - Stabat Mater
Johann Simon Mayr
(SWR 2 / Carus, 2017)
Lasso, Schütz, Monteverdi
Capella de la Torre
(Sony Music Entertainment / DeutschlandRadio Kultur, 2017)
Reger, Bach, Nystedt
Christmas with the Choir of the Bayerischer Rundfunk
Chor des Bayerischen Rundfunk
(BR Klassik DDD,2013)
Palestrina/Wagner Stabat mater
Schnittke, Ravel, Bruckner, Sandström a.o.
Via Nova Choir
(Spektral, DDD, 2012)